The project utilizes paper pulp craft as a significant medium for Taiwanese rituals and religious culture. It connects humanity and spirituality through material, emotional, and nostalgic dimensions. This design combines the popular and understandable Baroque style from European civilization with Taiwanese folk paper pulp craft. It uses recycled materials such as classical Chinese literature, Taiwanese newspapers, and comics as the creative foundation. By merging visual imagery of Chinese deities with paper, it introduces a new visual syntax to the craft design.
